![]() ![]() ![]() Others are images that caught his eye as walked on a weekend, or catching the last of the light at the end of a day’s filming whilst working on projects in cities such as Berlin or Budapest, on Sicario in New Mexico, Skyfall in Scotland and in England on 1917.īYWAYS IS AVAILABLE FOR ORDER through these links!ĪND – once we get our hands on some books, we will be running a giveaway on the site. Beautifully designed and produced by Bolognas Damiani Editore, it presents one hundred and fifty-five previously unpublished black and white. Some of the images in this book, such as those from Rapa Nui, New Zealand and Australia, he took whilst traveling with James. Legendary cinematographer Roger Deakins’ best photograph: Weston-super-Mare in the rain Art and design The Guardian ‘Despite spending most of my time in Santa Monica, I’ve never been able. It will be released in August for the UK and the autumn for the US. ![]() After graduating from college, Roger spent a year photographing life in rural North Devon on a commission for the Beaford Arts Centre these images attest to a keenly ironic English sensibility, and also serve as a record of a time and place of vanished post-war Britain.Īlthough photography has remained one of Roger’s few hobbies, more often it is an excuse for him to spend hours just walking, his camera over his shoulder, with no particular purpose but to observe. Roger Deakins is publishing a book of his still photographs this year. He has rarely shown his still work.īYWAYS includes previously unpublished personal black-and-white stills that reflect a life spent looking and telling stories through images, from 1971 to the present. Roger has always thought about doing it – and he had finally has! He is publishing a book of his still photography. This is the first monograph by the legendary Oscar-winning cinematographer Sir Roger Deakins, best known for his collaborations with directors such as the Coen. On the other hand, I have rarely shared my personal photographs and never as a collection.” – Roger A Deakins “My work as a cinematographer is a collaborative experience and, at least when a film is successful, the results are seen by a wide audience. ![]()
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